Friday, August 27, 2010

why day friday

why do undergraduate white males (assuming that they're straight as well) think they're cool because they are reading 1) ayn rand 2) kerouac 3) burroughs 4) ginsberg ? seriously, this gives you license to be smug?

why do these same white males think that they can pick up women by reading gay/bisexual authors?

why did summer take so long to get here and then turn around and leave?

why is glenn beck given any kind of platform? seriously, he's an idiot

why do i constantly feel the need to run?

why does it always feel like i am under water when i do run?

why can't keith olbermann run the universe?

why do i see so many people with tattoos now? (not that there's anything wrong with it)

Saturday, August 21, 2010

adventures in dating

the "writing" of the self as rhetorical image

i have an online journal on a social networking site called okcupid
it's an ok site...especially since it is free. i like to write in the journal there because ideas and topics come to me quickly when i read people's profiles and how they choose to present themselves to their online audience...so this is what i wrote today:

i haven't written in this thing for awhile...i think the reason revolves around the role that writing plays in my life. i am researching and writing for a living and sometimes it's just nice to just read. so i have been reading when i'm on this site. of course what i have been reading are the various profiles. it's interesting to see what people write (and consequently don't address) when they are constructing an online persona. some are really nice...well written...expressive...obviously offering up to the reader the very best of what or who they think they are. of course many are really, really sad. so look oriented, so age oriented, so much is focused on the body but a completely unoriginal and yet static abstraction of what they expect, so specific, so much like themselves or what they are striving to be. i think that the beauty principal (especially within the gay male community) is grotesque and yet pervasive and insidious. what happens, i think, are a couple of things. 1) there is the "idea" of what we want that will never live up to the second point...the materiality of this "idea." how do you fall in love with an impossibility. for instance here's and example of what i mean:



"Preferably within +/- 5 years of me but not a deal breaker
'Ripped' muscular which means not only does he work out and doesn’t smoke, but clear progress has been made. [insert my note: what does this mean, exactly?]
Honest
Intelligent
Patient
Giving
Sports minded, or sports open minded
Somewhat humble but definitely not arrogant, or narcissistic
Goal oriented
Sense of humor
Emotionally secure enough so as to not need a party every night or someone to entertain them and knows the difference between uncomfortable and comfortable silence
Clean – neat as well as free of bugs and diseases.
Likes music – all kinds but a bias toward alternative rock is ideal. (If classical music is the one and only station because of the snob effect, and ditto for jazz then that fish should swim out to sea.)
Likes all kinds of art (painting, sculpture, photography, theatre, books, architecture, etc.)
Thinks old car are “kewl” and even some new ones but not just because they’re new
Spiritual but not necessarily with an established religion
Not obsessed with money or social status.
Maybe has chest hair and a tattoo or two (or even a couple more)
Knows what LTR stands for.
Can write an inquiry email more than one line long that describes themselves and how they fit the list." [seriously? i don't even think that jesus christ (or whatever messiah you happen to believe in) could live up to all of these expectations]


clearly, as stipulated by the final sentence...this has nothing to do with any one person "applying" for this man's affection but rather this is how this person sees himself. narcissism at its finest. so specific and so "obsessive" and yet to be obsessed is something that this person doesn't want (except, perhaps in the attention that they pay to their body?). and i would like to know his definition of LTR. what does that mean. i study language...i am a rhetorician...so definitions and expectations within language systems intrigue me. does his definition encompass someone in a wheelchair? probably not...is this a search for love or for an ideal? who knows...but it is sad and pathetic and one of the main reasons why i feel no solidarity with the gay community.

Tuesday, August 10, 2010

on the verge of a daydream

i'm on the verge of daydream...between starting something and procrastinating about it. i find myself doing this a lot lately...i write here because for some reason writing in this journal doesn't count for me...it is probably not even read by anyone except me anyway...but does that make it any less real? language and reality are so entangled that we become shocked at the concept of sexuality, gender, race, etc. being social constructions and not naturally occurring phenomena. but as i was getting ready to work my mind shifted to how i actually gather information when i am researching. in this age of technological advancement...computers and the act or acts of composing being framed in a type of word processing that tells you when you missspelll a wrod by little red squiggly lines...i am still a hand writer. i usually write my notes and my research out by hand before i start actually composing...for some reason the quotes that i pick and the connections that i am trying to make between concepts or, even, the premises that i am either trying to further or deconstruct don't count because they haven't been placed in a more formal discourse...no one will read these words except me and for some reason i find comfort with this. i can be exposed without judgment like taking a photo without being posed or airbrushed or photo-shopped, etc. my words are beyond the scrutiny of others and my paranoia surrounding my self-perception as a writer and thinker is abated. i think that in a previous life i was one of those monks that copied manuscript in a gothic monastery...for reasons far beyond any understanding of myself...i find this comforting. setting language to page, filling negative space by candlelight and the smell of incense. i guess that's a daydream for another day.

Monday, August 09, 2010

just a thought: a monday morning free-write

i am sitting here this morning watching the world wake up. i have always been a morning person...i think i inherited that from my father...who was born and reared on a farm. the mornings are when i "think" my best. my mind seems really alert, especially after a good night's rest. but it is also troubling as well...i have so much that i have to get done and it all seems so impossible for me, at the moment. i try to take things one step at a time but my mind likes to move ahead...creating future narratives of what my life may lead to. it's kind of scary. i go on the job market this september and i really don't have any high hopes for myself...it's not about getting a job...i can get a job doing almost anything...it's about finding and doing what i love. i love my research and i love working with these really cool ideas...writing is a little bit more torturous because it requires me to put these abstract ideas in a written, concrete form that always loses shape when taken out of the mind and placed into material existence...it is also open to scrutiny and dismissal. i think that i can handle the latter but i am having trouble with the former. ugh. but the best i can do is to try and work every single day...to take a very deep breath before plunging myself underwater to move ever so slowly against the currents of life.

Sunday, August 08, 2010

sunday poem, because i'm procrastinating and yet always thinking about my dissertation

Spelling
Margaret Atwood

My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,

learning how to spell,
spelling,
how to make spells.

ò

I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

ò

A child is not a poem,
a poem is not a child.
There is no either / or.
However.

ò

I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.

Ancestress: the burning witch,
her mouth covered by leather
to strangle words.

A word after a word
after a word is power.

ò

At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.

This is a metaphor.

ò

How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.

Monday, August 02, 2010

adventures in writing a dissertation while in vegas

i have never been to vegas until two of my friends decided to have their wedding at the flamingo. until i ventured to vegas the past week, i never ever thought about mixing academia and alcohol and i did just that...shamelessly, over and over and over again. bloody mary's to be precise. i naively thought, since i didn't gamble, it would be a relatively cheap vacation...i was wrong. this place is in a very pure sense: capitalism at its most insidious....seriously, it is the decadence and underbelly of the free market sitting side-by-side. i walked off of the plane and that place took twenty dollars. i had to take out a small loan to buy drinks...however, unlike gambling and losing a butt-load of money...i lost a lot but at least i was buzzed. the people at my credit card company called me the moment i put something on it...and when i say immediately it was before i walked away from the cashier (i was buying a toothbrush and yes in vegas putting a toothbrush on a credit card is completely and reasonably appropriate). the best part was my friend j. telling me about watching this older woman, dressed in a really nice bathing suite cover-up and perfectly styled hair puking in one of the lobby's trashcans while holding, out and to the side, her coach purse (which, again, made complete sense to me)...definitely a ftw moment i'm just disappointed that i missed it. oh well, there's always next year...not.

so, i worked on my dissertation with a buzz, listened to my ipod, people watched, and in between those times, i attended the wedding (which went off without a hitch). most of my friends hung out by the pool...which was impressive i must admit (the pool not my friends although i'm sure they would beg to differ) but i was born and grew up in florida...around palm trees, beaches, and pools so those things meant nothing to me.

i did walk around outside a bit...which, btw, dry heat sucks. i went to "the palace," and i trekked on over to "paris." i guess what freaked me out about these places in general is the illusion of history that they present to their "readers." i study rhetoric and these rhetorical situations where anything but interesting. i mean vegas has all of these copies with no original...i know that a number of philosopher/theorists have written about this complex (and yet straightforward) cultural intersection but reading and experiencing are two very different things. even the palm trees (which i don't think are indigenous to the area) that surrounded the waterfalls (which i know aren't natural) created this site of "meaning" that made no sense at all. flat, schizophrenic (as f. jameson would say), without a history, and copying off of an original that does not exist nor has it ever existed. too weird...no wonder i needed a drink.